Pretty things in silver

I have had a lovely day teaching an introduction to art clay silver to two students. Katy and Vicky spent a full day learning how to make their own unique pieces of precious silver jewellery using metal clay. We began with coffee followed by a short explanation and they selected a few pieces of leaf from just outside the studio door. I gave a quick demonstration of a technique for rolling out the clay, impressing the leaf texture and cutting a simple shape using a fine clay scraper. They then rolled out, textured and shaped their first piece each, setting it to dry.

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We then had a short discussion about designing unique patterns and they each doodled on paper exploring their ideas before creating their own little texture sheet using styrofoam and a ball tool, stacking slats either side of the texture sheet and rolling and cutting out their clay.

After this I talked about making textures on the back of pieces and they used Rolling Mill Resource textures, sandwiching their rolled out clay and roller guides between two texture sheets and rolling the piece out. Once the clay was removed from between the two texture sheets they cut out their shape, forming the pieces over plastic measuring spoons and drying them, to give them a more three dimensional shape. I then showed them one technique for setting small fireable stones and with the tiny bit of clay left at the end they made a small coiled bead each – my favourite way of using up that tiny end of packet bit of silver clay!

Most of the work was fired in my electric kiln but they each had a chance to fire a small piece using a little gas torch so that they know how to fire small work at home. After firing they brushed, polished edges and burnished highlights, adding liver of sulphur patina to a small piece each. It was a very productive and enjoyable day and I know they were both pleased with the results.

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Here are all their lovely pieces of jewellery – a very good day’s work!

Hearts and a lovely day at the Castle Museum

I have had a lovely day at the Castle Museum in York teaching art clay silver jewellery making to a small group (five). After a brief description of our aims for the day – to make a silver keepsake pendant, I took the group down to Kirkgate, a street created within the museum which has a variety of Victorian shops. We spent a bit of time looking at the jewellery in one of the shop windows and talking about ideas of sentimental jewellery. There are some lovely examples of cameos and name brooches but I wanted the group to focus on a pretty little gold open work heart shaped pendant. Because the museum light levels are fairly low to protect the objects in other displays and the pendant it was quite a way back in the window I couldn’t get a good photo of it. Having had a good look at the examples we went back up to the meeting room and I showed them the sample I had made and talked a bit about the art clay silver products and production. I then did a demonstration of the first steps for rolling out, creating the textures and forming the main heart shape.

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This is based upon a project published by the Artist Alcina Nolley some time ago and adapted slightly by me to fit into this theme of creating a sentimental keepsake. After rolling out and trimming a textured strip it is wrapped twice over a plastic straw. We had to add a little moisture to the surface of the strips – it was really warm in York today! The ends were joined with a little paste and gentle pressure and trimmed, keeping the clay trimmings safely in a bit of plastic film. The shape was tweaked slightly while the metal clay was still soft.

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Then the main pieces were put to dry while the students re-conditioned the trimmings and made another small piece. At this point some of them chose to set a small fireable stone. This little piece was also put to dry. By using the trimmings to make this little additional shape the project uses a complete 7g pack of art clay silver. After refining the edges of the pieces using ‘baby wipes’ (which avoids the need to sand and having to supply students with dust masks and makes it easier when away from my own studio) the pieces were joined using a little of the paste, dried fully and fired in my kiln.

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After firing and cooling the students polished and burnished their pieces before threading them onto chains. They can be threaded through one loop so that they hang asymmetrically or, as all the group chose, by threading the chain through both loops so that the heart hangs level.

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I can safely say they were all delighted with their little treasures and one of the class said it would be a perfect birthday present for her sister!

Thanks to them and to the staff and volunteers at the Castle Museum, York for making this possible and to Alcina Nolley for sharing her original idea on which this project is based.

Have kiln, will travel

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Tomorrow I am teaching an introductory class in metal clay at the Castle Museum in York. I have spent part of this afternoon checking my list of tools and equipment and packing them ready for the trip. Art clay silver really lends itself to teaching in other venues as all the necessary tools pack into quite a small volume.

This will really be a taster session and the participants will make a pretty little keepsake pendant inspired by Victorian sentimental jewellery in the museum collection. I will take them to look at some examples on display before showing them how to make their own piece of unique jewellery using silver clay. We are going to make little heart designs and I am really looking forward to the day. The museum has an amazing collection of inspiring objects and it is always enjoyable being involved in their events.

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I particularly like this little moth brooch on display in one of the Kirkgate ‘shop’ windows.

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