Hedgerow flowers and a pendant finished

I love this time of year when every day sees something new emerging in the hedgerow and along the verge.

20130521-135433.jpg Along the lane from where I live and work there is this beautiful patch of bluebells coming into flower.

Today I have finished the pretty floral pendant I began in Anna Mazon’s masterclass last week. I decided to finish it with a little cabochon of lapis lazuli, reflecting the vivid blue of the spring flowers that surround me.

20130521-135708.jpg This piece is only 46mm long by 23mm wide, so quite dainty and it’s difficult to see some of the detail with the naked eye. I love Anna’s technique and am very pleased with this piece though I still need to make things to my own design and develop my own ways of using these ideas. It fits in well with some of my older pieces of work though. My next challenge will be to work it into pieces that I can enamel.

20130521-135928.jpg Here is another bit of beautiful seasonal blue, this one taken in my Dad’s garden a couple of weeks ago.

If you would like to learn to make your own unique piece of jewellery here in my studio on the North York Moors please just leave me a message or email me via my website contact form

More Mokume Gane

20130308-171844.jpg
Here is today’s piece of mokume gane technique in copper and silver clay. It is a little whistle and I have created patina to chemically darken the copper to make a greater contrast with the silver. I am very pleased with the outcome of this and think it will make a great new class project.

Thanks again to Lesley Messam & Katie Baum for sharing so much information on techniques and inspiring me!

A little more experimentation and a new Mokume Gane masterclass

I have been doing a little more experimentation after a short break staying with my good friend Lesley Messam and with the encouragement and inspiration of Katie Baum.

With Katie we made either perfume pendants or pens and I chose to make the perfume pendant. It is made in art clay silver. Since I returned home I have made an attempt at making a pen using the combination to silver and copper to make new mokume gane. I think I need to do more work on this idea to perfect it but am having fun experimenting.

I am planning to teach the Art Clay New Mokume Gane class later in the year so please email if you would like to learn this technique.

20130307-173936.jpg

Buttons and other things

I have done a little more work on my button for The Button Project today. Here they are in the electric muffle kiln at the beginning of the firing process for the silver clay.

20130120-183317.jpg
You can see them, mostly face down and supported by small amounts of kiln fibre. In this batch of pieces of work are two buttons, a ring and a pendant.

20130120-183512.jpg Here are the pendant, ring and one of the buttons fresh out of the kiln. The next stage will be to burnish and polish them and to prepared the surfaces for enamelling.

Class dates for 2013

My studio is based in the beautiful village of Glaisdale, about 12 miles from Whitby in North Yorkshire. It is a well equipped workshop dedicated to metal clay and jewellery making. Over the winter 2011/12 it was completely refurbished, including removing a dividing wall to open up the teaching space. There are all kinds of exciting classes for 2013 so please keep checking as you will need to book early to secure a place.

Introduction to enamel on copper £140 with Lynne Glazzard
Wednesdays by arrangement from January 23rd, 2013
Learn to create your own small copper panels, this course runs from alternate Wednesdays by arrangement and includes a small amount of copper and enamel, additional copper will be available to purchase on the day. It is also available as either a morning or afternoon session.
This class is also scheduled for Sunday 10th March 2013 £140

Sunday 24th March 2013 Introduction to Art Clay Silver £155 with Lynne Glazzard
Thursday 28th March 2013 Introduction to Art Clay Silver £155 with Lynne Glazzard

Sunday 21st April 2013 first day of Art Clay Silver level 1 certification
with Lynne Glazzard. This is run by me as a four day course following the syllabus set out by Aida Corporation and can either be four consecutive days, two pairs of two days or four separate days within a one month period. I only run this twice a year at the moment so please contact me as soon as possible if you are interested.

Saturday 27th April 2013 Landscape into Enamel with Tilly Wilkinson
£150 per person plus cost of copper available to purchase on the day.
Using a range of enamel techniques produce a landscape based wall panel from your own images.
You will incorporate a range of techniques including sifting, scrafitto and stencilling to produce your own personal response to a landscape that you love. You will learn how to prepare, counter enamel and finish your copper. A range of enamels are included in the price. Copper in various sizes will available to purchase on the day.

20121230-114235.jpgMemory of Scampston, enamel on copper by Tilly Wilkinson

11th & 12th May 2013 Herbarium pendant with Anna Mazon
(see website)

Saturday 25th May 2013 Introduction to Art Clay Silver £155 with Lynne Glazzard
Sunday 26th May 2013 Introduction to enamel on silver clay £170 with Lynne Glazzard

Saturday 1st June Introduction to enamel painting with Tilly Wilkinson
£175 per person including all materials – During this 1 day class you will learn how to create your own miniature piece of enamel painting. You will be provided with pre prepared copper bases and a range of stimulus material to work from. You will look at techniques for transferring your chosen design onto the fired enamel surface prior to painting. Using finely ground enamel pigments you will be shown how to prepare them for your palette and how to apply them to your prepared base.
No experience is necessary but some interest or ability in either oil or watercolour painting will be helpful.

On the weekends of 8th & 9th June and 15th & 16th June Lynne will be taking part in North Yorkshire Open Studios so the studio will be open to visitors
(Enamelling Wednesdays will be available during the period of open studios, advanced booking essential)

29th & 30th June 2013 Carnival masks with Joy Funnell £385 per person, including materials
(see Website)

20121230-124139.jpg

Saturday 13th July 2013 Introduction to Art Clay Silver £155 with Lynne Glazzard
Sunday 14th July 2013 Rings in silver clay £170 with Lynne Glazzard
Sunday 28th July 2013 Introduction to enamel on Art Clay Silver £170 with Lynne Glazzard

Friday 6th and Saturday 7th September 2013 Art Clay Masterclass with guest tutor, more details to follow soon

21st & 22nd September 2013 Enamel painting with Tilly Wilkinson
£325 per person including materials
During this 2 day class you will learn how to create your own miniature piece of enamel painting. We will cover how to press form and prepare a suitable base from copper shim, how to apply a suitable enamel layer on which to paint and how to fire it. In addition we will look at techniques for transferring your chosen design onto the fired enamel surface prior to painting. Using finely ground enamel pigments you will be shown how to prepare them for your palette and how to apply them to your prepared base. Enamel painting is suitable for representing a range of imagery from representational portraits to abstract designs. This class would be most suitable for those who already have a reasonable level of ability in either oil or watercolour painting and some enamelling experience.

Greetings

20121222-171852.jpg
My very best wishes to all students, clients and friends. Thank you for your support in 2012 and I look forward to seeing you here at a workshop or studio event during 2013. I have lots of new and exciting things planned but am still happy to arrange something to suit on a one to one basis, just email me to arrange it.

I have classes planned in ring making; art clay silver certification; introductory level art clay silver and metal clay; introduction to enamelling on copper and on silver clay. I also have a number of guest tutors lined up for the coming year, teaching a range of exciting Masterclasses.

I will once again be taking part in North Yorkshire Open Studios and am planning some other drop-in days so that you can get a taste of a new craft and try your hand at making your own beautiful and unique pieces of jewellery or even commission something special.

Introduction to art clay silver

On Saturday I had a very relaxed one to one workshop with Lindsay.

20121029-211253.jpg
During the day she made two pairs of earrings and two pretty charms. The earrings were made using the technique of rolling out the clay using texture sheets, with different textures back and front. She wanted to make one pair of earrings really black so we ended up oxidising them twice to get the depth of tone she wanted! The little charms were made using little moulds created from buttons and shells using two part mould making compound. They were drilled before firing and jumps rings added after firing and finishing. I don’t have any more introductory level classes scheduled until next Spring – but will be happy to arrange one-to-one over the coming month if you want to do this to make a few few special Christmas presents – if so just email me.

Photopolymer plates for metal clay

One of my favourite methods of creating my own unique textures is to make photopolymer plates. The plates are available in a variety of thicknesses and with either plastic or thin metal backing. I choose my image and print it out twice onto overhead projector transparency sheets. I then carefully sandwich the two layers together, this makes the black image a greater density. The image is then placed onto a piece of the photopolymer sheet and sandwiched between a small backing board and piece of glass – for this part I use the pieces of a small clip frame and four spring clips. It is put into an ultraviolet light box (a small nail salon box) and exposed. You will need to do a number of exposure tests as light sources all vary.

Once the plate has been exposed it is carefully and gently brushed under hot water. This removes the unexposed photopolymer from the sheet. I then dry the sheet with a hair dryer and re-expose it in the light box to harden the previously unexposed areas. It is then ready to use – oiling it first like any other texture sheet to stop the clay sticking to it.

20121014-194537.jpg
Here are my pieces of textured art clay silver and you can see that I have used text, reversing the transparency before exposing the photopolymer of course. It is also a really easy way of producing reflected pieces as you can make one texture sheet then turn the transparency over and make another – ideal for producing earring designs !

I will be continuing to work on these small pieces creating a collection of pendants over the next week. If you would like to take a class and learn how to make your own unique silver jewellery then please contact me. There are places still available on the introduction to silver clay course on Saturday 27th October 2012; on the art clay silver and glass bead combination two day workshop on the 7th and 8th November 2012 and there are one or two dates still available for one-to-one classes this year. Why not make some very special Christmas presents?

For more information see my website

Work in progress

I have had an interesting day in the studio working on a couple of projects I began some time ago but hadn’t had time to finish until now. They are two sets of rings. One of them is part of a collection of pieces with moths and butterflies and the other is part of my secret places range – a series of tiny buildings.

These will very definitely be statement rings and I enjoy working on things that have this kind of intricacy and complexity.

20121009-191604.jpg
Here they are at an early stage, drying on my small hotplate with lots of work still to do.

20121009-191746.jpg
This view is one of the architecturally inspired rings at a slightly later stage, still with a bit of pre-finishing needed.

20121009-191855.jpg
This final view shows the rings during the firing process in one of my electric muffle kilns. They will be in here for some time so I can’t add a photo of the finished rings today.

If you would like to learn to make your own metal clay jewellery I still have places available on the Introduction to Art Clay Silver class on Saturday 27th October 2012.

I have also been planning all kinds of exciting workshops for 2013, including a series of classes with guest tutors including Anna Mazoń, Joy Funnell, Lesley Messamand Tilly Wilkinson will be running some of her popular enamelling classes here too.

Saturday 27th October 2012 Introduction to Art Clay Silver £145

Thursday 8th and Friday 9th November 2012 – two day workshop. Glass and art clay silver combination beads with Lynne Glazzard £360. On the first day you will learn to apply a variety of art clay silver products to the surface of glass beads before firing and annealing them in the kiln. On day two you will make some art clay silver beads to complement the glass beads before finishing them all to a high standard. Some glass beads are included in the course fee but not the art clay silver. A detailed materials list will be supplied in advance but you will need approximately 20g Art Clay 650; 10g Syringe type, Art Clay Silver Overlay paste. There are still places on this exciting class and the following photos are examples of the types of beads you can make combining art clay silver with glass beads to make your own very unique charm beads for your bracelet.

20121009-193122.jpg

11th and 12th May 2013 – Herbarium openwork pendant workshop with Anna Mazoń
£325 per person including materials.
In this class you will learn to make an openwork, romantic pendant, adorned with a bezel set stone and precise, tiny ornaments. You will use silver clay to create lacy, yet strong and secure constructions, which you’ll decorate with extremely detailed tiny leaves, flowers, forest fruits or other ornaments of your choice. You will also learn to make a box like, elevated base for a stone and set it in a bezel setting. All these skills can be easily adapted to your own style, merged with your favourite techniques and used with different metal clays.
 Openwork designs are wonderful response to increasing silver prices, allowing you to save on material, but not on the quality of your works. Some previous silver clay experience is necessary.

20121009-193332.jpg

29th and 30th June 2013 – Colourful Carnival Masks with Joy Funnell
£385 per person including materials
On this 2 day workshop you will learn how to create your own unique silver mask using Art Clay Silver. Then we will cover how to add wires to the mask for decoration before enamelling them to create your very own colourful carnival mask pendant. You will learn tips and tricks including creating the best surface on the silver for the enamel, making a three dimensional mask shape, making bails and decorating the reverse of your piece including setting small stones.
Once the masks are fired and polished you will learn Joy’s unique Enamelled Accents technique for adding wires to make free standing cells for enamel. After covering how to prepare the enamels to get the brightest clearest colours you will learn how to wet lay them onto your piece and how different colour enamels can be used and blended together.
Finally we will use patination to accentuate the bright enamel colours and the textures.
During this workshop you will have a rainbow of enamel colours to use that you will be able to take home with you afterwards.
Some previous experience with silver clay is necessary.

20121009-193437.jpg

Terms and conditions
For my regular classes in metal clay or enamelling as require 50% of the course fee to confirm the booking.

For guest tutors and master classes – £100 deposit required to confirm a place, £100 payable two months before the commencement of the class and the balance payable by cheque or cash 14 working days prior to the first day of the class.
14 days notice of cancellation is required so that I can resell the workshop place.
In the event of cancellation more than 14 days before the class the deposit can be carried over to another mutually convenient class. Cancellation by the student less than 7 days prior to a workshop will result in forfeit of your deposit and course fee.
Each class has a maximum number of places available and a minimum number before it can run. If I have to cancel a workshop I will give as much notice as possible and a place will be offered for an alternative workshop at a future date. Refunds will be given in the event of tutor illness or insufficient numbers booked for a workshop.
I reserve the rights to vary these terms and conditions at any time.
My studio is based in the beautiful village of Glaisdale on the North Yorkshire Moors, approximately 12 miles inland from Whitby. I can recommend B&B accommodation locally – email me for details.

Art clay silver classes

I am now well on with plans for some exciting new classes for 2013, including some fantastic guest tutors follow the link for a sneak peep at the work of one of them!

In the meantime I still have a few places on the following classes

Saturday 22nd September 2012 Introduction to Art Clay Silver £145

Saturday 20th and Sunday 21st October 2012 Cloisonne enamel on art clay silver £350
A two day workshop. On the first day you will design and make a silver pendant, learning about design for enamel. On the second day you will prepare and apply wire patterns followed by thin layers of enamel, firing each layer in turn. You will then learn methods for finishing the piece to a high standard. The course includes small amounts of enamel, enough to complete the project.

Saturday 27th October 2012 Introduction to Art Clay Silver £145

Thursday 8th and Friday 9th November 2012 – two day workshop. Glass and art clay silver combination beads with Lynne Glazzard £360. On the first day you will learn to apply a variety of art clay silver products to the surface of glass beads before firing and annealing them in the kiln. On day two you will make some art clay silver beads to complement the glass beads before finishing them all to a high standard. Some glass beads are included in the course fee but not the art clay silver. A detailed materials list will be supplied in advance but you will need approximately 20g Art Clay 650; 10g Syringe type, Art Clay Silver Overlay paste. There are still places on this exciting class and the following photos are examples of the types of beads you can make combining art clay silver with glass beads to make your own very unique charm beads for your bracelet.

20120902-162948.jpg

20120902-163110.jpg
Other dates by arrangement. Booking essential. Dates book up quite quickly so please get in contact if you are wanting a place.
For more information, booking, prices and terms please go to metal-clay.co

There are still a few dates available for one-to-one workshops, please contact me if there is something you would like to do

Art Clay Level 1 certification – Dates by arrangement and price on application – subject to the prices of kits required to make the projects chosen. This is a four day course following the syllabus set by the Aida Corporation (manufacturers of Art Clay Silver). Seven projects are made over the four day period, including rings, earrings, pendants and a brooch. The course fee includes the materials to make the seven projects and the use of tools and equipment. The projects are assessed and if completed successfully an application for the certificate will be made to the Art Clay UK Guild. If any of the projects are unsuccessful then arrangements can be made to ‘remake’ them at additional cost to the student.
Email Lynne to book

Terms and conditions 50% deposit required to confirm a place, balance payable by cheque or cash 7 days prior to the first day of the class.

7 days notice of cancellation is required so that I can resell the workshop place.
In the event of cancellation more than 7 days before the class the deposit can be carried over to another mutually convenient date.
Cancellation by the student less than 7 days prior to a workshop will result in forfeit of your deposit and course fee
Each class has a maximum number of places available and a minimum number before it can run. If I have to cancel a workshop I will give as much notice as possible and a place will be offered for an alternative workshop at a future date. Refunds will be given in the event of tutor illness or insufficient numbers booked for a workshop. I reserve the rights to vary these terms and conditions at any time.

My studio is based in the beautiful village of Glaisdale on the North Yorkshire Moors, approximately 12 miles inland from Whitby. I can recommend B&B accommodation locally if you wish to take two or more classes or extend your stay and enjoy the area.

Follow

Get every new post delivered to your Inbox.

Join 150 other followers